Dance
Some dominants enjoy seeing their submissive dance for them, and quite a few submissives, especially females, enjoy the pleasure they can give when dancing for the one they are serving. Dances are mostly informal moves and may be made to music or without external sound.
Two of the most well-known pleasure dances are the 'belly dance' and the 'pole dance'. Neither has a strict set of moves or sequences but each has its own focus which an experienced viewer might expect to see. Most pleasure dances are even less formal. Often, the dancer creates his or her own dance to enhance his or her own body while incorporating what he or she is capable of and missing out on what he or she has yet to learn.
Slave dances are an important part of the culture described in the Gor books.
The biblical story of Salome and the Dance of the Seven Veils has also been interpreted and represented as having strong psychological undercurrents that anticipate modern notions of sadomasochism and BDSM play, as well as other paraphilias such as necrophilia and incest.
These themes are present in various modern treatments and expansions of the story -- particularly, in the Symbolist paintings of Gustave Moreau, the French Decadent/Symbolist play by Oscar Wilde (which takes great liberties with the original biblical sources, and adds considerable new dimensions of perversion to the story), the accompanying Art Nouveau drawings to the Wilde play by Aubrey Beardsley, and the German opera by Richard Strauss. Contempory films which either depict or allude to the story of Salome with a modern BDSM subtext present include Pier Paolo Pasolini's The Gospel According to St. Matthew, Liliana Cavani's The Night Porter, and Ken Russell's Salome's Last Dance.
