Gorean slave positions
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<TD colspan=2><center><b>Positions not in the books by Norman</b></center></TD> | <TD colspan=2><center><b>Positions not in the books by Norman</b></center></TD> | ||
<tr valign=top><td><b>Sula-Ki, or "Alternative Sula" </B></td> | <tr valign=top><td><b>Sula-Ki, or "Alternative Sula" </B></td> | ||
| − | <td>This position is almost identical to the Sula position, except that once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. This was invented by Gorean fandom (from the words Sula "supine" and Ki "not"), and is not found in the Gor books (though the | + | <td>This position is almost identical to the Sula position, except that once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. This was invented by Gorean fandom (from the words Sula "supine" and Ki "not"or negative), and is not found in the Gor books (though it has some similarity to the "Gorean love bow" or arched back position found in the books).</td></tr> |
</table> | </table> | ||
Revision as of 06:38, 29 April 2010
Some positions for Gorean slaves (kajirae) described in the Chronicles of Gor series of science fiction books written by John Norman.
| Pleasure Slave or Nadu | One of the most often used of all of the Gorean slave positions, and one of the first that a kajira learns. The word Nadu is a command meaning "kneel" in the Gorean language, and commonly gives its name to the position. It is also known as the position "of the pleasure slave" or "of a woman who is of interest to men". In this position, the kajira kneels back, sitting on her heels, with her back and shoulders straight, her chest out, belly in, and her head up. Her knees are open, widely spread. By default, she averts her eyes to the floor, and her hands rest upon her thighs, palms down, although there are variations. Sometimes a kajira places her hands palms upwards to signify humble supplication.
In the Gor books, whenever a kajira first encounters a free man in various contexts (such as when her owner re-enters the house, or she is addressed by a man in the street etc.) she is generally required to assume either the nadu position or the obeisance position (depending on circumstances). |
| Tower Slave | (Also called "the position of the house slave.) This is another variant of the pleasure slave position, in which the kajira kneels the same way, but with her knees modestly together. If the hands are not occupied with some task, then typically they rest loosely in front, with wrists crossed. This position is associated with slaves whose duties do not prominently include sexual services; also, pleasure slaves might kneel in this position before free women. Gorean free women commonly use a similar position to simply sit on the floor or the ground (without expressing any submission), but in much less revealing garments than kajirae, and never with wrists crossed. |
| Bara, or Belly | Bara is the Gorean word for "belly". In response to this command, the kajira falls to her stomach, with her head down to the floor and turned to the left, crosses her wrists behind her back, and similarly crosses her ankles, her legs straight, in preparation for binding. |
| Sula, or Supine | In this position, a kajira lays upon her back, her hands at her sides, palms upward, her legs widely spread, to await her Master's pleasure. |
| Lesha, or Binding | From the Gorean word Lesha, which translates as "leash." In this position, the kajira remains either standing or kneeling, depending upon the current position she is in. She turns and puts her back to her Master, her chin up, her back and shoulders straight, and her head turned to the left so a leash may be attached to her collar. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets. |
| Bracelets, or Chaining | In this position the kajira stands gracefully before her Master, with her hips slightly turned to one side, her back and shoulders erect, her wrists crossed behind her back and her head turned to the left, in anticipation of having slave bracelets attached to her wrists. |
| Ko-Lar, or Collaring | Also called "the Position of Female Submission". In this position the kajira kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended forward, crossed at the wrists, and her head between them lowered in submission. |
| Hair | In this position the slave stands, her feet flat on the floor, and bows gracefully at the waist, that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires. |
| Whipping | In this position the slave first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip. |
| Obeisance (i.e. obedience), or prone | The slave goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission. |
| Leading | The slave stands and moves behind her Master, bending at the waist. She places her hands behind her and puts the side of her head to her Master's hip, that he might lead her easily by the hair or collar while walking. |
| She-Sleen | Also known as "assuming the modality of the she-quadruped." In this position, the slave falls to her hands and knees, her head down on the floor, her hindquarters upthrust for viewing and/or her Master's pleasure. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects. |
| "Slaver's Kiss" | The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body. |
| Common Gorean Usage | The slave falls to the floor upon all fours, and keeps her head straight, her eyes looking forward, with her buttocks thrust upward and her thighs widely spread in preparation for the sexual use of the Master. |
| Walk | When this command is given, the slave turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered. |
| Run | When this command is given, the slave runs toward her objective, taking short rapid steps, with her legs almost straight, her feet hardly leaving the floor. As she moves her back is straight, her head is turned to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu. |
| "Slave Lips" | When this command is given, the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master. |
| Sula-Ki, or "Alternative Sula" | This position is almost identical to the Sula position, except that once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. This was invented by Gorean fandom (from the words Sula "supine" and Ki "not"or negative), and is not found in the Gor books (though it has some similarity to the "Gorean love bow" or arched back position found in the books). |
| This page uses content from SM-201; the original article can be viewed here. |
