Leopold von Sacher-Masoch

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* [http://homepage.newschool.edu/~schlemoj/imptopia/sacher-masoch.html Leopold von Sacher-Masoch]
 
* [http://homepage.newschool.edu/~schlemoj/imptopia/sacher-masoch.html Leopold von Sacher-Masoch]
 
* [http://www2.hu-berlin.de/sexology/GESUND/ARCHIV/SEN/CH22.HTM#b1-SACHERMASOCH,%20LEOPOLD%20RITTER%20VON  Leopold von Sacher-Masoch article] from Human Sexuality: An Encyclopedia  
 
* [http://www2.hu-berlin.de/sexology/GESUND/ARCHIV/SEN/CH22.HTM#b1-SACHERMASOCH,%20LEOPOLD%20RITTER%20VON  Leopold von Sacher-Masoch article] from Human Sexuality: An Encyclopedia  
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Revision as of 14:10, 17 March 2005

Leopold von Sacher-Masoch

Leopold Ritter von Sacher-Masoch (January 27, 1836 - March 9, 1895), writer and journalist, was born in Lemberg, Austria-Hungary (now L'viv, Ukraine). He was the son of the police director in Lemberg and Charlotte von Masoch, a Ukrainian lady of noble birth. He started learning German language at age 12.

He had planned to write a series of six novels under the collective title The Heritage of Cain: only the first two were ever completed, of which Venus in Furs is the most famous. (Venus im Pelz is the original title in German). This novel tells of a man, Severin, so besotted to a woman, Wanda, that he requests to be treated as her slave, and encourages her to treat him in progressively more degrading ways. Severin describes his feelings during these experiences as supersensuality.

At the end of the book, Severin ceases to desire to submit, stating that men should dominate women until the time when women are equal to men in education and rights: an ending that can be viewed as both misogynist and feminist.

The novel closely parallels events in Sacher-Masoch's own life.

The word masochism was coined by the 19th century psychiatrist Krafft-Ebing with Sacher-Masoch and his writings in mind.

He died in Frankfurt-am-Main, Germany.

The lyrics of The Velvet Underground song "Venus in Furs" refer to this book.

A 1994 black and white film called "Venus in Furs" is based on the 1869 classic novel, but is set in modern times. The film was directed by Maartje Seyferth and Victor E. Nieuwenhuijs.


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