Sadism and masochism in fiction

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(Mainstream films: Remove redlinks)
(Mainstream films: Remove redlinks)
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Sado-masochism is featured as a central plot element in the following mainstream drama films:
 
Sado-masochism is featured as a central plot element in the following mainstream drama films:
  
Art movies:
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'''Art movies:'''
 +
 
 
* ''The Whip and the Body'' (''La Frusta e il Corpo'') (1965)  (starring Christopher Lee and [[Daliah Lavi]])
 
* ''The Whip and the Body'' (''La Frusta e il Corpo'') (1965)  (starring Christopher Lee and [[Daliah Lavi]])
 
* ''Belle de jour'' (1967) (starring Catherine Deneuve)
 
* ''Belle de jour'' (1967) (starring Catherine Deneuve)
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* ''The Bitter Tears of Petra von Kant'', (''Die Bitteren Tränen der Petra von Kant'') (1972) directed by Rainer Werner Fassbinder  
 
* ''The Bitter Tears of Petra von Kant'', (''Die Bitteren Tränen der Petra von Kant'') (1972) directed by Rainer Werner Fassbinder  
 
* ''[[The Night Porter]]'', (''Il Portiere di notte'') (1974) (starring Dirk Bogarde and Charlotte Rampling)
 
* ''[[The Night Porter]]'', (''Il Portiere di notte'') (1974) (starring Dirk Bogarde and Charlotte Rampling)
* ''[[Story of O]]'', (''Histoire d'O'') (1975)
+
* ''Story of O'', (''Histoire d'O'') (1975)
* ''[[The Image (film)|The Image]]'', (''The Punishment of Anne'') (1975)
+
* ''The Image'', (''The Punishment of Anne'') (1975)
* ''[[Salò o le 120 giornate di Sodoma|Salo, or The 120 Days of Sodom]]'', (''Salò o le 120 giornate di Sodoma'') (1975) directed by [[Pier Paolo Pasolini]]
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* ''Salo, or The 120 Days of Sodom'', (''Salò o le 120 giornate di Sodoma'') (1975) directed by Pier Paolo Pasolini
* ''[[Maîtresse]]'', (1976) starring [[Gérard Depardieu]] and [[Bulle Ogier]]
+
* ''[[Maîtresse (film)|Maîtresse]]'', (1976) starring Gérard Depardieu and Bulle Ogier
* ''[[A Woman in Flames (film)|A Woman in Flames]]'', (''Die Flambierte Frau'') (1983)
+
* ''A Woman in Flames'', (''Die Flambierte Frau'') (1983)
* ''[[Crimes of Passion]]'', (1984)
+
* ''Crimes of Passion'', (1984)
* ''[[Seduction: The Cruel Woman]]'', (''Verführung: Die grausame Frau'') (1985)
+
* ''Seduction: The Cruel Woman'', (''Verführung: Die grausame Frau'') (1985)
* ''[[Blue Velvet]]'' (1986) (starring [[Kyle MacLachlan]], [[Isabella Rossellini]], [[Dennis Hopper]] and [[Laura Dern]])
+
* ''Blue Velvet'' (1986) (starring Kyle MacLachlan, Isabella Rossellini, Dennis Hopper and Laura Dern)
* ''[[9½ Weeks]]'', (1986) (starring [[Kim Basinger]] and [[Mickey Rourke]])
+
* ''9½ Weeks'', (1986) (starring Kim Basinger and Mickey Rourke)
* ''[[Tokyo Decadence]]'', (''Topazu'') (1991)
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* ''Tokyo Decadence'', (''Topazu'') (1991)
* ''[[Bitter Moon]]'' (1992) (starring [[Hugh Grant]], [[Kristin Scott Thomas]], [[Emmanuelle Seigner]], and [[Peter Coyote]])
+
* ''Bitter Moon'' (1992) (starring Hugh Grant, Kristin Scott Thomas, Emmanuelle Seigner and [[Peter Coyote]])
* ''[[Spanking Love]]'' (1994)
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* ''Spanking Love'' (1994)
 
* ''[[Venus in Furs]]'' (1994)
 
* ''[[Venus in Furs]]'' (1994)
* ''[[Conspirators of Pleasure]]'' (1996) directed by [[Jan Švankmajer]]
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* ''Conspirators of Pleasure'' (1996) directed by Jan Švankmajer
 
* ''[[The Bondage Master]]'' (1996) (Japanese indie film directed by Keisuke Konishi)
 
* ''[[The Bondage Master]]'' (1996) (Japanese indie film directed by Keisuke Konishi)
 
* ''[[Of Freaks and Men]]'', (''Pro urodov i lyudej'') (1998)
 
* ''[[Of Freaks and Men]]'', (''Pro urodov i lyudej'') (1998)

Revision as of 08:23, 6 May 2009

In general, the depiction of sadism and masochism in fiction tends to be portrayed from the viewpoint of masochistic fantasy. Note: the lists in this article are sorted in chronological order.

The role of Sadism and masochism in fiction has attracted serious scholarly attention. John Kucich has noted the importance of masochism in late-nineteenth century British colonial fiction.<ref>Imperial Masochism: British Fiction, Fantasy, and Social Class by John Kucich (Princeton University Press, 2006)</ref> This article provides a list of appearances of Sadism and masochism in not just literature, but various works of fiction in multiple forms of media.<ref>An esthetics of masochism? The author wonders if the curators of an Austrian exhibition on masochism in art erred in taking an overly literal approach to their subject From Art in America (4/1/2004) by Barry Schwabsky</ref><ref>Barbara Steele's Ephemeral Skin: Feminism, Fetishism and Film by Lecturer Patricia MacCormack of Anglia Polytechnic University, Cambridge</ref><ref>Sadism, Masochism, Food and Television</ref>

Contents

Novels

Titles are sorted in chronological order.

  • The 120 Days of Sodom, Justine (1791) and Juliette (1797) by Marquis de Sade - Are written from an extreme sadistic viewpoint.<ref name="Wood-deSade">Template:Harv "The term sadism derives from the Marquis de Sade (1740-1814), a French nobleman imprisoned for his libertinism and for writing fantastic novels such as Justine and Juliette (both 1797) that equated sexual pleasure with the inflicting of pain, humiliation, and cruelty."</ref>
  • Anti-Justine (1793) by Nicolas-Edme Rétif A response to de Sade's works, using a very similar style to describe a directly opposite political point of view.
  • Venus in Furs (1870) by Leopold von Sacher-Masoch - Is essentially one long masochistic fantasy, where the male principal character encourages his mistress to mistreat him. Many of Sacher-Masoch's other works include themes of sadomasochism and female dominance.
  • Les Onze mille verges (The eleven thousand rods) by Guillaume Apollinaire - written around 1906-1907 (the publication is neither signed nor dated).
  • The Story of O (1954) by Pauline Réage - Another classic masochistic novel, this time written by a woman. In this novel, the female principal character is kept in a chateau and mistreated by a group of men, one of them her official lover. Later, she resumes her normal life while secretly becoming the property of one specific man, a friend of her lover's.<ref name="Wood-StoryO">Template:Harv "Pauline Reage's The Story of O (1954) made a great impact on lesbian erotic writing..."</ref>
  • Je... Ils... (1969) by Arthur Adamov _ With stories like Fin Août. The author revolves around Masochism, which he regarded as "immunisation against death", but does not aim erotic arousal.

Specialist publishers of S/M fiction

Mainstream films

Consensual BDSM is not generally depicted accurately or sympathetically in mainstream films, to say the least; however, film-makers often find some way to incorporate BDSM imagery into many films. The following films feature BDSM as a major plot point, not just as an exploitative add-on.<ref>Sadism and masochism in mainstream film</ref>

Sado-masochism is featured as a central plot element in the following mainstream drama films:

Art movies:

Comedy:

Thrillers:

Television

Template:Importance-sect

Drama

  • Thomas Shadwell's play The Virtuoso (1676) includes an old libertine named Snarl who entreats a prostitute, Mrs Figgup, to bring out the birch rods. It is unclear if he is to flog her or be flogged.
  • In Thomas Otway's play Venice Preserved (1682), Act III, Scene i, an old senator, Antonio, visits the house of Aquilina, a Greek courtesan. Antonio pretends to be a bull, then a frog, begging her to spit on him, and then a dog, biting her legs. She whips him, then throws him out and tells her footmen to keep him out.
  • Jean Genet's play The Maids (1947) concerns two maids who play out dominant and submissive roles.
  • Genet's play The Balcony (1959) is set in a brothel where clients and staff perform various fetishized roles while a revolution brews outside.
  • The play Oh! Calcutta! includes at least two segments with sadomasochistic themes. One of them, set in a fantasy of an English girls public school, invites the audience to vote on which of four "girls" is beaten at the end.

Poetry

References

Footnotes

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Bibliography

Template:Citation

External links

See Also

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